The English and Scottish popular ballads, volume 1 (of 5) by Francis James Child

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Okay, hear me out. You know those old songs you might have heard a snippet of in a movie? The ones about knights, tragic lovers, and creepy fairy kidnappings? This book is where they all live. It's not a story with one plot, but a massive collection of the raw, original versions of those ballads. We're talking over 300 songs, each with its own little world of murder, magic, betrayal, and love. The mystery isn't in solving a crime—it's in seeing how these stories survived for centuries, changing slightly with every singer, before someone finally wrote them down. It’s like finding the ancient, unedited source code for every fantasy novel and folk song you've ever loved.
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separator of 5 widely spaced asterisks such as follow these notes. * * * * * THE ENGLISH AND SCOTTISH POPULAR BALLADS [Illustration] THE ENGLISH AND SCOTTISH POPULAR BALLADS EDITED BY FRANCIS JAMES CHILD IN FIVE VOLUMES VOLUME I NEW YORK DOVER PUBLICATIONS, INC. This Dover edition, first published in 1965, is an unabridged and unaltered republication of the work originally published by Houghton, Mifflin and Company, as follows: Vol. I--Part I, 1882; Part II, 1884 Vol. II--Part III, 1885; Part IV, 1886 Vol. III--Part V, 1888; Part VI, 1889 Vol. IV--Part VII, 1890; Part VIII, 1892 Vol. V--Part IX, 1894; Part X, 1898. This edition also contains as an appendix to Part X an essay by Walter Morris Hart entitled "Professor Child and the Ballad," reprinted _in toto_ from Vol. XXI, No. 4, 1906 [New Series Vol. XIV, No. 4] of the _Publications of the Modern Language Association of America_. _Library of Congress Catalog Card Number: 65-24347_ Manufactured in the United States of America Dover Publications, Inc. 180 Varick Street New York, N.Y. 10014 _To_ _FREDERICK J. FURNIVALL, ESQ._ _OF LONDON_ _MY DEAR FURNIVALL_: _Without the Percy MS. no one would pretend to make a collection of the English Ballads, and but for you that manuscript would still, I think, be beyond reach of man, yet exposed to destructive chances. Through your exertions and personal sacrifices, directly, the famous and precious folio has been printed; and, indirectly, in consequence of the same, it has been transferred to a place where it is safe, and open to inspection. This is only one of a hundred reasons which I have for asking you to accept the dedication of this book from_ _Your grateful friend and fellow-student_, _F. J. CHILD._ _Cambridge, Mass., December 1, 1882._ ADVERTISEMENT TO PART I NUMBERS 1-28 It was my wish not to begin to print The English and Scottish Popular Ballads until this unrestricted title should be justified by my having at command every valuable copy of every known ballad. A continuous effort to accomplish this object has been making for some nine or ten years, and many have joined in it. By correspondence, and by an extensive diffusion of printed circulars, I have tried to stimulate collection from tradition in Scotland, Canada, and the United States, and no becoming means has been left unemployed to obtain possession of unsunned treasures locked up in writing. The gathering from tradition has been, as ought perhaps to have been foreseen at this late day, meagre, and generally of indifferent quality. Materials in the hands of former editors have, in some cases, been lost beyond recovery, and very probably have lighted fires, like that large cantle of the Percy manuscript, _maxime deflendus_! Access to several manuscript collections has not yet been secured. But what is still lacking is believed to bear no great proportion to what is in hand, and may soon come in, besides: meanwhile, the uncertainties of the world forbid a longer delay to publish so much as has been got together. Of hitherto unused materials, much the most important is a large collection of ballads made by Motherwell. For leave to take a copy of this I am deeply indebted to the present possessor, Mr Malcolm Colquhoun Thomson, of Glasgow, who even allowed the manuscript to be sent to London, and to be retained several months, for my accommodation. Mr J. Wylie Guild, of Glasgow, also permitted the use of a note-book of Motherwell's which supplements the great manuscript, and this my unwearied friend, Mr James Barclay Murdoch, to whose solicitation I owe both, himself transcribed with...

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Forget everything you think you know about story structure. The English and Scottish Popular Ballads isn't a novel. Think of it as the ultimate archive. Compiled by scholar Francis James Child in the late 1800s, this first volume gathers over 80 of these traditional narrative songs, presenting multiple versions side-by-side. You won't follow one hero's journey. Instead, you'll jump from the bloody revenge of "Edward" to the supernatural tragedy of "The Twa Sisters" (a.k.a. the "wind and rain" ballad), to the eerie abduction in "Tam Lin." Each ballad is a compact, powerful story told through verse, often with a haunting, repetitive rhythm meant to be sung or recited.

Why You Should Read It

This book is a direct line to the past. Reading these ballads feels raw and immediate. The emotions are huge—jealousy, despair, defiance—and the morals are rarely simple. These aren't polished fairy tales; they're often dark, strange, and surprisingly modern in their exploration of human nature. I love seeing where familiar phrases or plot ideas originated. Did you know the story of a knight rescued from a fairy queen by his true love is hundreds of years old? It's all here. It’s less about reading for a plot twist and more about soaking in the atmosphere and the sheer staying power of a good, dark story.

Final Verdict

Perfect for curious readers who love folklore, history, or fantasy and want to explore the roots of storytelling. It's also great for writers looking for inspiration in ancient, potent plots. Be warned: it's a reference work, so it's best dipped into rather than read straight through. If you've ever listened to a folk singer like Joan Baez or Bob Dylan and wondered where those old stories came from, this is your answer. Keep it on your shelf and visit it like a museum of the macabre and the magnificent.



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Joshua Wright
1 year ago

Recommended.

Jackson Harris
10 months ago

To be perfectly clear, the atmosphere created is totally immersive. Highly recommended.

5
5 out of 5 (2 User reviews )

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